O, beware, my lord, of jealousy; It is the green-eyed monster which doth mock The meat it feeds on. But what exactly is the green-eyed monster? It seems every editor has a different take on this passage, with many trying to make the lines work around the concept of green as sickly. Some editors have even changed mock to make in order to fit their annotations - Hanmer and Hudson being the most famous.
Get Full Essay Get access to this section to get all help you need with your essay and educational issues. He plays two different people, the disguise of the trusty and loyal ensign and the one whom hides behind this disguise.
Act One, Scene One is the most important because it foreshadows the whole drama.
Iago is young and treacherous, a scoundrel from the start of the play. Shakespeare suggests that Iago is not really a man, but the devil in disguise, manipulating people for his own pleasure.
His character is quickly established as corrupt and sly as he pretends to be a supporter of Othello but in reality, is secretly scheming against him. Othello took the advice of others and chose Cassio, who is young and untested.
Iago feels betrayed at this because Othello had seen him in battle but overlooked him. He does not care who he harms, as long as he can get what he wants. Iago regards others as being simple in nature and that they merely exist for his amusement.
He enjoys playing mind games with people as it gives him a chance to use his real power, his mind. He knows that he is smarter than the average person, and uses this to his own advantage.
He sees people for their true nature, recognising their flaws and weaknesses, and uses them as objects in his chess game, destroying each one to eventually destroy the King himself. In Act One, Brabantio gets a gang after Othello.
Ironically, Iago was the person who in sighted the whole ordeal. Othello and Desdemona are called upon to declare their love to the Duke.
Desdemona is called upon to speak for herself, and she says that she loves Othello, proving to her father that their love is indeed true.
Brabantio grudgingly accepts their marriage and Othello is sent to the battle with a fleet of ships, with Desdemona permitted to join him. He becomes very depressed, but Iago encourages him not to give up. This shows that he can identify a fool and use them to his advantage.
Let us be conjunctive in our revenge against him. Iago causes most of the conflicts for Othello, and he is ironically the one to warn him about it. He stays underneath a mask which hides his true, evil nature from the world. More essays like this:The play opens in the powerful city state of Venice, famous as a center of trade and banking and for its military might.
It is in the early hours of the morning, and two men — Roderigo, a young gentleman and former suitor of Senator Brabantio's daughter Desdemona, and Iago, an ensign who claims to. ''Othello,'' a play about a Moorish soldier who allows his insecurities to destroy his life, is one of William Shakespeare's most popular tragedies.
Iago from Othello is a central character and understanding him is key to understanding Shakespeare's entire play, Othello - not least because he holds the longest part in the play: 1, lines. Shakespeare's 'Othello': An Analysis of Iago's Character Words Jan 7th, 8 Pages This idea is evident in Iago's traits and motivations, his interactions with others, his use of language and the use of others' language concerning him.
Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio, first published in The story revolves around its two central characters: Othello, a Moorish general in the Venetian army and his unfaithful ensign, Iago.
An Analysis of Iago in Othello In the play Othello, Shakespeare suggests that even the most trusted advisor can be dangerously manipulative.
This idea is evident in Iago's traits and motivations, his interactions with others, his use of language and the use of others' language concerning him.